.

compliment from spaghetti hoops x

compliment from spaghetti hoops x

isafeye:

Everyone who suffers from social anxiety needs a friend who will

  1. help them order food when it’s too scary
  2. walk with them through crowded places
  3. help them laugh it off when they make a mistake
  4. not get tired of answering “no, you’re not annoying, silly goose! You’re adorable and I love you” no matter how many times it’s needed

and if you’re that friend, bless u for being fab <3

(via roamthesummer)

Anonymous asked: Still thinking about you and Cameron. I didn't know him but It always seems to be on my mind how you and everyone else who knew him are doing. I know there's nothing I can say to stop the hurt but just know I'm thinking about you. I don't know if this even helps, just thought I'd let you know anyway x

thank you xxxx

vvni:

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Tracey Emin
Exorcism of the Last Painting I Ever Made (detail)

vvni:

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.

Tracey Emin

Exorcism of the Last Painting I Ever Made (detail)

20aliens:

Everyone I Have Ever Slept With 1963-1995 - Tracey Emin 


Everyone I Have Ever Slept With was a tent appliquéd with 102 names of the people she had slept with up to the time of its creation in 1995. The title is often misinterpreted as a euphemism indicating sexual partners and the work termed “a list of all the people that Emin has ever had sex with”, but is in fact intended more inclusively:

“Some I’d had a shag with in bed or against a wall some I had just slept with, like my grandma. I used to lay in her bed and hold her hand. We used to listen to the radio together and nod off to sleep. You don’t do that with someone you don’t love and don’t care about.”

The names include family, friends, drinking partners, lovers and even two numbered foetuses. The name of former boyfriend, Billy Childish, could be seen prominently through the tent opening. The tent was square and coloured blue; its shape was reminiscent of the Margate Shell Grotto, with which Emin was very familiar from childhood; inside on the floor of the tent was the text, "With myself, always myself, never forgetting"